Hello, Rioters! Happy Halloween Week to you all. (‘Halloween Week’ is totally a thing. Just go with it.) Are any of you doing literary-themed costumes this year? I am, if one counts comic book characters (and I do).
Speaking of comics…
I’m also enjoying These are Comics! I Draw Them! by Michael Patrick McMullen. You can get his first collection for a mere 99 cents here.
If you like your comics heavy on the sex, Gina Nicoll at Panels has some suggestions for you. I keep meaning to read Sex Criminals, but have yet to get to it.
Also at Panels, Nikki
Hello, Rioters! Time to round up some interesting literary links that have caught my eye. First up, let’s check in with a past WR contributor:
Shebana Coelho, who has previously published three pieces here, has a new site: Write Out Loud Santa Fe. Contributors include Lisa Bertsch, Belinda Edwards, Ellen Fox, Dawn Hamilton, Amy Kaplan, María Cristina López, and Cati Perez Lacey.
Essays and Fiction of Note:
I really enjoyed this excerpt from Ellen Litman‘s Mannequin Girl, which went up at The Nervous Breakdown in March.
Also, check out this lovely essay from Melissa Harrison: Caught By An Unknown River.
Every time I read some of
Hello everyone! Yes, it’s been at least four months since I’ve had any literary links ’round these parts. Let’s make up for lost time and look at some interesting stories that I’ve saved in my trusty WR bookmarks folder since April.
Couple of good Patricia Highsmith-related links to share: First, this look at her book, Plotting and Writing Suspense Fiction. I’ve always meant to read it, even though suspense fiction isn’t my usual neck of the writing-woods, since I figure we can all learn from it.
And here’s an article about what makes her work so adaptable to screen. I’m really looking forward
Hello, Rioters! It has been far too long, once again. Let’s skip the preamble and get right into some interesting links that have caught my eye.
Witty Bitches is looking for “talented, opinionated and funny writers to contribute.”
Chloe Caldwell outlines where/how she’s been paid for writing.
Literary agent Jennifer Laughran talks about how those six-figure book deals actually shake out, payment-wise.
And agent Janet Reid also has an informative post on book deals, this time dealing with five figures.
On a related note, at the Engine Books blog, Andrew Scott talks about teaching the business side of creative
For my final column, I will offer some suggestions for moving forward from publishing your first or your first few book reviews, and some general thoughts on book reviewing.
This week in my online travels I discovered some items of interest for book reviewers: a searchable feature on Poets and Writers for book review markets, and some advice for the prospective book reviewer at Queen Mob’s Teahouse from the dependably excellent Reb Livingston.
And here are two stray thoughts, that didn’t seem to merit entire columns of their own, but that I think are important nonetheless:
If someone sends you a review copy, you are
The first poetry reviews I published were at a review blog. The last review I wrote for the site was for a poetry book that had received unilaterally glowing reviews. There were things I loved about the book, and things I had reservations and questions about. I was honest in my review: I pointed out what I didn’t like about the book in addition to adding to the praise it had received elsewhere.
The morning the review went up, the author of the book sent me a friends request on Facebook. No sooner had I accepted the request did the author write on my wall telling me, in no uncertain
Greetings, Rioters. This week is primarily about the struggle and the hustle within our writing lives, but we’ve got some fun stuff too. Let’s get started.
Seems like everyone has thoughts on the Ann Bauer Salon essay about how her husband supports her writing life. Me? Here’s the short version: Chronic illnesses prevent me from holding a “regular” job, so I’m working around my health instead of a 9-5. The mister, who also does various creative things (including writing), is the one who has to work full-time (and then some) to support us and our two kids — for not a lot of
The good thing about sending out a book review for possible publication is that the rejection rate for book reviews is very low. There have been some strange publication scenarios (which I will go into next week) and very strong editing suggestions, but of the dozens of reviews I have submitted, none has ever gotten outright rejected (yet). Editors of literary journals usually seem excited to get a book review, and they are often looking to add a new book reviewer to their regular stable of reviewers.
So where do you send your review? One possibility is to send it to a journal or site that has already
Some of Henry James’s first publications were book reviews in the North American Review and the Nation, and, though he didn’t even receive a byline, it was probably clear to anyone who read them that these were composed by no ordinary brain. As James’s great biographer Leon Edel puts it, “The young critic was not intimated by greatness. What is important for him is his search for a viable theory of fiction.”
One of the many reasons I look up to James as a reviewer is because he could not be intimidated—not by greatness (Dickens), or friendship (William Dean Howells), popularity (Harriet Beecher Stowe), or notoriety