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Word Riot Inc.: Kicking Small Press Into High Gear
Reviews

This Wasted Land and Its Chymical Illuminations by Marc Vincenz

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Tim Suermondt is the author of two full-length collections of poems: TRYING TO HELP THE ELEPHANT MAN DANCE (The Backwaters Press, 2007) and JUST BEAUTIFUL (New York Quarterly Books, 2010.) He has poems published and forthcoming in Poetry, The Georgia Review, Blackbird, Able Muse, Prairie Schooner, PANK, Bellevue Literary Review, Plume Poetry Journal, North Dakota Quarterly, Mudlark, december magazine, Ploughshares, and Stand Magazine in England. He lives in Cambridge (MA) with his wife, the poet Pui Ying Wong.

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Reviews

The Palace of Illusions by Kim Addonizio

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The Palace of Illusions by Kim Addonizio Soft Skull Press 2014 ISBN: 978-1-59376-542-2

Review by John Yohe

Kim Addonizio’s writing goes for the guts—punches of raw common american language, about raw common human relationships, that are also, at times, funny and sexy, with touches of all her street-level poet heroes, like Charles Bukowski, Frank O’Hara, Anne Waldman and (early Satan Says-era) Sharon Olds. I have up to this point mostly thought of Addonizio as a poet, though she has written some novels, and her first collection of short stories, in the box called pleasure, is as unapologetically in-your-face as, say,

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Reviews

The Reverse Tree by Kiriti Sengupta

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Mrs. Usha Kishore is a British poet (born in India), writer and translator, resident on the Isle of Man, where she teaches English at Queen Elizabeth II High School. Usha’s poetry and translations have been internationally published. Her poetry has won prizes in UK Poetry competitions, has been part of international projects and features in the British Primary and Indian Middle School syllabus. The winner of an Arts Council Award and a Manx Heritage Foundation Award, Usha’s debut collection On Manannan’s Isle has been published in January 2014 in the UK. A book of translations from the Sanskrit, Translations of the Divine Woman and a second collection of poetry are forthcoming from India. www.ushakishore.co.uk

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Reviews

Loitering: new and collected essays by Charles D’Ambrosio

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Loitering: new and collected essays by Charles D’Ambrosio Tin House Books, Nov. 2014 360 pages

Review by Nathan Knapp

One gets the feeling that the essays contained in Loitering, Charles D’Ambrosio’s new book of essays, were conceived and composed in the dark. It’s certainly not a notion D’Ambrosio himself does much to dispel. In the book’s preface he writes: “I thank God for certain kinds of failure. New silences layer over the old. I hope this brief superficial essay hasn’t simply circled around a peculiar woundedness.” The essay may be brief, but it’s nowhere near superficial, and it’s that peculiar

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Reviews

Fortress by Kristina Marie Darling

Fortress by Kristina Marie Darling Sundress Publications 78 pages/$12.00

Review by Anne Champion

Kristina Marie Darling is the author of twenty poetry collections, and to know Kristina’s poetry is to know delight in experimentation and how genre tropes are trumped and intersected to push the boundaries of narrative and imagination. She commonly works in hybrid styles that include footnotes, definitions, and erasure poetry. However, in recent years, she’s flexed her creative muscles through collaborative work with several other poets in which she wrote prose poetry, traditional lineated free verse, and paired her poems alongside photography. Fortress, her newest collection from

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Reviews

Hyperbole by Ryan Parmenter

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Review by Lori Schafer

Author Ryan C. Parmenter has dubbed his novel Hyperbole “the most violent comedy since The Bible.” While this description does not do it justice, it does paint a very accurate picture of the author’s satirical and incredibly witty sense of humor, which prevails throughout the book. There are countless passages that are so well-written, so brutally clever, that there were times in which I was jealous, actually envious that he wrote them and I didn’t. And that is perhaps the greatest compliment one author can pay to another.        Don’t get me wrong. Although there are

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Reviews

Butchers’ Crossing by John Williams

Christopher Brownsword is the author of two collections of poetry ‘Icarus was Right!’ (Shearsman Books 2010) and ‘Rise Like Leviathan and Rejoice!’ (Oneiros Books 2014), a novella ‘Blind-Worm Cycle’ (Oneiros Books 2013), and a novel ‘The Scorched Highway’ (Oneiros Books 2013). His latest work ‘Throw Away the Lights’ comprises a novel and a novella, and is available now from Oneiros Books.

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Reviews

Earth and Below by Susana H. Case

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Laura Madeline Wiseman is the author of more than a dozen books and chapbooks and the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press, 2013). Her recent books are American Galactic (Martian Lit Books, 2014), Some Fatal Effects of Curiosity and Disobedience (Lavender Ink, 2014), Queen of the Platform (Anaphora Literary Press, 2013), Sprung (San Francisco Bay Press, 2012), and the collaborative book Intimates and Fools (Les Femmes Folles Books, 2014) with artist Sally Deskins. She holds a doctorate from the University of Nebraska and has received an Academy of American Poets Award, a Mari Sandoz/Prairie Schooner Award, and the Wurlitzer Foundation Fellowship. Her work has appeared in Prairie Schooner, Margie, Mid-American Review, and Feminist Studies. www.lauramadelinewiseman.com

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Reviews

The Suicide by Mark SaFranko

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Christopher Brownsword is the author of two collections of poetry, ‘Icarus was Right!’ (Shearsman Books 2010) & ‘Rise Like Leviathan and Rejoice!’ (Oneiros Books 2014), a novella, ‘Blind-Worm Cycle’ (Oneiros Books 2013), and a novel, ‘The Scorched Highway’ (Oneiros Books 2013). His latest novel ‘Liberty’s Old Story’ is forthcoming in an omnibus edition along with a recent novella titled ‘A Transition to Nothingness’ from Oneiros Books.

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Reviews

How to Catch a Coyote by Christy Crutchfield

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Review by Melissa Reddish

When I was in elementary school, I adopted a wolf. Unfortunately, this is not a children’s novel where together we race through woods and streams, our teeth bared and our heads thrown back to howl at the sky. I sent some money to a wolf sanctuary in California, and in return, they sent me a photograph of “my” wolf along with an information sheet. I had just graduated from an infatuation with rabbits to the peculiar draw of the predator: beauty and fear; compulsion and revulsion. I placed the photograph on my corkboard, a gray wolf

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